"The great pianist Bela Bartok described the piano as the first musical machine."
The new and eloquent work of Robert Dreyfuss grows well in 14 tracks, all electronic and with a taste warm and analog. Captivating melodies modulate the arpeggios fluctuating with the rhythmic, in a frequent exchange of roles and harmonies. The end of this opera, born together with the other one "Hydrogen114", confirms the original matrix and the contamination from the great masters Jarre and Vangelis.
Robert Dreyfuss The author was born in the province of Mantova in 1967 and already in childhood showed a strong talent for art. Poetry, litterature, music and painting are his forms of expression.
He began his musical studies first, and at the end he dedicated himself to his great passion: the instrumental music. First, under the pseudonym "Impressionist", then together with m° Giuseppe Sbernini in the band "Segni Gemelli", then again alone under the pseudonym of "Robert Dreyfuss" performs his artistic senses in more than one hundred compositions published by the record companies Erga, Halidon , Vigiesse and Galileo Records. Personal Websites: www.robertdreyfuss.it